Mackie 1604-VLZ PRO | 16-Channel Mic/Line Mixer | Mackie Designs, Inc. | Total Show Technology
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Mackie 1604-VLZ PRO
Mackie Designs, Inc. - Mackie 1604-VLZ PRO
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16-Channel Mic/Line Mixer

Model: Mackie 1604-VLZ PRO

  • 16 low noise/high headroom XDR™ (Extended Dynamic Range) XLR mic inputs with the best
  • RFI rejection of any compact mixer design and maximum freedom from ground loops.
  • 16 balanced/unbalanced mono line inputs
  • True 4-bus design
  • Multi-way physical confi guration via rotatable I/O pod, or optional RotoPod Kit (RP1604-VLZ)
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The 1604-VLZ PRO is the latest update of our CR1604-VLZ, incorporating our new ultra-high quality XDR™ (Extended Dynamic Range) mic preamps with the best RFI rejection of any compact mixer design on the market and maximum freedom from ground loops.

Like all Mackie mixers, the 1604-VLZ PRO is designed for rugged, 24-hour-a-day use. It is a supremely fl exible mixer, not just because of its multiple input/output confi gurations, but because of its true 4-bus architecture, 6 aux sends (with 3-4/5-6 shift switch), and extensive routing capabilities.

No matter what the application, the 1604-VLZ PRO can be confi gured for optimal use. As a tabletop mixer, input/output jacks can be positioned at the rear of the unit, or with the optional RotoPod Kit (RP1604-VLZ), positioned on the same plane as the controls. Placed in a rack system, the 1604-VLZ PRO can be set so that jacks are facing front (using the RotoPod kit) or facing the rear to keep wandering hands from playing with cords. Whether used in a permanent installation, or as a portable mixer, the 1604-VLZ PRO is completely at home.

Built like a tank, the 1604-VLZ PRO is a team player that can stand up to vigorous use, day in and day out, any place it is installed. Its sturdy-yetlight steel monocoque construction houses rugged, double-sided through-hole-plated fi berglass circuit boards, and 60mm faders with ultra-tight lip seals for keeping out dust and other contaminants. Impact-resistant knobs are mounted so they "ride" just above the steel chassis - they absorb impact without trouble. They’re designed to last, too, thanks to co-molded potentiometers that don’t get brittle and crack up. 

  • 16 low noise/high headroom XDR™ (Extended Dynamic Range) XLR mic inputs with the best
  • RFI rejection of any compact mixer design and maximum freedom from ground loops.
  • 16 balanced/unbalanced mono line inputs
  • True 4-bus design
  • Multi-way physical confi guration via rotatable I/O pod, or optional RotoPod Kit (RP1604-VLZ)
  • Inserts on all channels
  • Direct outs on channels 1–8
  • 3-band EQ with sweepable mids
  • 75Hz, 18dB/oct. Low Cut fi lter on each channel
  • PFL/AFL (Solo In-Place) on all channels (global)
  • Very Low Impedance (VLZ) architecture
  • Control Room/Phones source matrix
  • 6 aux sends, 2 with master level controls
  • Wide input gain range with “virtual pad”
  • Stereo main outputs plus mono main output with separate level control
  • Balanced inputs and outputs (except RCAs, phones & inserts)
  • Level set LED and marker
  • Applications:
  • Live sound mixing for churches, clubs, schools, conference centers, boardrooms, tradeshows, presentations
  • Keyboard, drum machine and DJ
  • Multitrack studio and fi eld recording
  • A/V presentations, video post production, CD authoring, multimedia
  • Live broadcast remotes, ENG, ad production
 
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